Date of Birth

5 August 1911, Filley, Nebraska, USA

Date of Death

8 June 1969, Santa Monica, California, USA

Spangler Taylor -for such was the impressive name with which Robert Taylor was born- was already displaying a diversity of talents in his youth on the plains of Nebraska. At Beatrice High School he was a standout track athlete, but also showed a talent for using his voice, winning several oratory awards. He was a musician and played the cello in the school orchestra. After graduating he thought of music as a vocation and started studying music at Doane College in Crete, Nebraska, but he was lured westward in the early 1930s - not to Hollywood, as might be thought, but to study medicine at Pomona College. This was not unusual, either, for his remarkable father was a doctor, and had in fact chosen that career for the express purpose of curing his wife of childhood invalidism. Prophetically, it was at Pomona (from which he graduated in 1933) that young Taylor also joined the campus theater group and found himself in many lead roles because of his decidedly handsome features.

He was inspired to go on to the Neely Dixon Dramatic School, but about a year after graduating from Pomona, he was spotted by an MGM talent scout and given a contract in 1934. That same year he appeared in his first movie, on loan-out to Fox for a Will Rogers entry, Handy Andy(1934). He also did an MGM short, Crime Does Not Pay Series No. 1 Entitled 'Buried Loot' (1935) for its "Crime Does Not Pay" series that provided good exposure. However, the next year he did even better by being cast as the lead-again on loan out, this time to then-struggling Universal Pictures-in Magnificent Obsession (1935) with Irene Dunne. The story of a happy-go-lucky party guy who inadvertently causes blindness to the young lady he wishes to impress and then becomes a doctor to cure her, the film was particularly symbolic to Taylor because of his own parents' relationship. The movie was a big hit, and Taylor had a taste of instant box-office stardom (it's also interesting to note his film resume only contains a single uncredited role, indicative of MGM's early awareness of his star potential). The public was not wrong, either; besides his smashing good looks, Taylor already showed solid dramatic skill. However, as was often the case with actors who were considered "too good-looking," critics took a biased view of him as a no-talent flash-in-the-pan (a charge levied at his closest contemporary comparison,Tyrone Power over at Fox). He had to endure some brutal and often unfair reviews through his first years in Hollywood, but he was too professional - already praised as a cooperative and dedicated actor - and too busy to pay attention to such sniping, which would soon fade away. In 1935 alone he appeared in seven films, and by the end of the year he was at the top of his form as a leading man and being offered substantial scripts. The next year he appeared with Greta Garbo in La dama de las camelias (1936), and for the remainder of the decade his MGM- not to mention a pantheon of top actresses - clicked with audiences. On a personal level, despite his impressive family background and education, Taylor would often strike those who met him as a mental lightweight-intellectually-inclined actress Luise Rainer was shocked when she struck up a conversation with him at a studio function in 1937, when, after asking him what his goals were, he sincerely replied that his most important goal was to accumulate "a wardrobe of ten fine custom-tailored suits." That he usually comes across on screen as having a confident, commanding presence is more of a testimony to his acting talent than his actual personality. He held rigid right-wing political beliefs that he refused to question and when confronted with an opposing viewpoint, would simply reject it outright. He rarely, if ever, felt the need to be introspective. Taylor simply felt blessed to be working behind the walls of MGM, then the premier studio on earth. His affection for the studio would blind him to the fact that boss Louis B. Mayer masterfully manipulated him for nearly two decades, keeping Taylor's salary the lowest of any major Hollywood star. But this is also indicative of how much trust he placed at the hands of the studio's leaders. Indeed, Taylor remained the erstwhile MGM company man and would be rewarded by remaining employed there until the demise of the studio system in the late 1950s, outlasting its legend, Clark Gable. Though not quite considered treasures to be locked away in film vaults, Taylor's films during the first five years of his career gave him the opportunity to explore a wide spectrum of romantic characters, playing young officers or doctors more than once. Some noticeable examples of the variety of roles he took over a year's time were his chip-on-the-shoulder Lee Sheridan in A Yank at Oxford (1938), ladies' man/boxer Tommy McCoy in The Crowd Roars (1938) and cynical southern gentleman Blake Cantrell in Stand Up and Fight (1939). Taylor would truly become a first-rate actor in the following decade. By the 1940s he was playing edgier and somewhat darker characters, such as the title roles in Billy the Kid (1941) and smooth criminal Johnny Eager (1941)

With the arrival of the war, Taylor was quick to make his contribution to the effort. As an actor, he made two memorable combat movies: Stand by for Action (1942) and the better known (and for the time, quite graphic) Bataan (1943). From 1943-46 he was in the US Naval Air Corps as a lieutenant, instructing would be pilots. He also found time to direct two flight instruction training films (1943) and other training films for the Navy. Rather didactic in his ultra-conservative political beliefs, he became involved as a "friendly witness" for the House Un-American Activities Committee investigating "Communist subversion" in the film industry. Anyone who knew Taylor knew he was an arch conservative, but doubt if he could articulate why-at least without a script. He publicly stated that his accepting a role in Song of Russia (1944) was bad judgment (in reality it was against his nature to balk at any film assignment while at MGM) and that he considered the film "pro-Communist." He also-rather unwittingly, but still unforgivably-fingered fellow actor Howard Da Silva as a disruptive force in the Screen Actor's Guild. Although he didn't explicitly accuse Da Silva of being a Communist, his charges of "disruption" had the same effect, and the veteran actor found himself blacklisted by the studios for many years.

After the war and through the remainder of the decade, Taylor was getting action roles to match his healthy box office draw, but there were fewer of them being offered. He was aging, and though he had one of his best known roles as the faith-challenged Gen. Marcus Vinicius in the monster hit ¿Quo vadis? (1951), he was now being seen more as a mature lead (significantly, he would divorce Barbara Stanwyck and Louis B. Mayer would be ousted during its production). Still, he had his dashing good looks-but also a few extra "laugh lines." MGM, now under the aegis of Dore Schary, made a decisive move to move a significant amount of production to England as a cost-cutting move and opted to film several big-budget costume epics there starring Taylor. With Sir Walter Scott's Ivanhoe (1952) he was back (as once before in 1949) with the dazzling young Elizabeth Taylor, pining for him as the exotic young Jewish woman, Rebecca, effectively pulling off a role ideally suited for an actor a decade younger. With a great script and lots of action (forget about the mismatch of some matte backdrops!), the movie was a smash hit. He had a new look-rakish goatee and longer hair-that fit the youthful illusion. The movie did so well that MGM opted for a sequel-for want of a better word-based on the King Arthur legend, Knights of the Round Table (1953). It was not quite as good, but Taylor had the same look-and it worked. To his credit, Taylor continued to push for challenging roles in his dramatic output-the old "pretty face" stigma still seemed to drive him. He played an intriguing and most unlikely character in Devil's Doorway (1950) -- an American Indian (dark-stained skin with blue eyes!) who won a Medal of Honor for heroism in the Civil War and comes home to his considerable land holdings but still encounters the continued racial bigotry and envy of his white neighbors. It contained pushing-the-envelope dialog with many thought-provoking scenes dealing with the social plight of the Indian. Taylor did several noteworthy pictures after this film: the edgy Rogue Cop (1954) and was even more swashbuckling in one of the lesser known of Sir Walter Scott's romantic novels-and again successful in a younger man role-Quentin Durward(1955). Though his contract with MGM expired in 1958, he accepted a few more films into the 1960s. He put on some weight in his 50's and the effects of heavy chain smoking began to effect his looks, but Taylor successfully alternated between starring film roles and television, albeit at a somewhat reduced pace. He founded his own Robert Taylor Productions in 1958 and moved comfortably into TV work. From 1959 to 1962 he was the star of TV series "The Detectives Starring Robert Taylor" (1959), and when good friend Ronald Reagan bowed out of TV's popular western anthology "Death Valley Days" (1952) for a political career, Taylor took over as host and sometime actor (1966-68), until his death from lung cancer at only age 57. Jane Ellen Wayne wrote a biography "Robert Taylor: The Man with the Perfect Face." No doubt he would have cringed at that title.

Directed 17 United States Navy training films during World War II.

Interred at Forest Lawn, Glendale, California, USA, in the Garden of Honor, Columbarium of the Evening Star. (Not accessible to the general public).

MGM's publicity department released these measurements for Robert Taylor in 1938: Chest 43" / Waist 30" / Hips 37" / Thighs 23" / Calf 15" / Biceps 14.75" / Forearm 12" / Wrists 7" / Neck 16"

Inducted into the Hall of Great Western Performers of the National Cowboy and Western Heritage Museum in 1970.

2 children with Ursula Thiess: Terrance (b. June 18, 1955) and Tessa (b. 1959)

The son of a country doctor.

He holds Hollywood record for longest contract with one studio (MGM) 24 years from early 1934 to late 1958 and he holds Hollywood record for lowest contract salary (initially $35 a week, in 1934).

Right-handed Taylor spent weeks perfecting his ability to draw a gun with his left hand in preparation for his role in Billy the Kid (1941).

His mother had been an invalid since she was a teenager and was only able to get out of bed for 1 hour a week. Doctors predicted she would die before 30. Despondent over his wife's condition, Robert's father decided to take matters into his own hands. He enrolled in medical school and, soon after graduating, he cured his wife.

He was called "The New King", after Clark Gable's departure from MGM in 1953.

Is portrayed by Terrence E. McNally in The Silent Lovers (1980) (TV)

The favorite of all his films was Waterloo Bridge (1940).

After Taylor died of lung cancer - he was a chain smoker - at the age of 57, he was interred in Forest Lawn Memorial Park Cemetery, in Glendale, California. Many Hollywood celebrities attended his funeral, and his best friend Ronald Reagan, the Governor of California, gave the eulogy.

After studying at Doane University, he followed his cello teacher to study at Pomona College, California, where he began acting and was encouraged to join MGM's acting school before signing a seven-year contract with the studio initially at $35 a week. This is said to have set the stage as being the lowest-paid major star in the history of Hollywood; he remained at MGM for twenty-four years.

He was romantically involved with actresses Virginia Bruce, Irene Hervey, Lia Di Leo, Virginia Grey and Eleanor Parker.

After the war he joined The Motion Picture Alliance for the Preservation of American Ideals founded in February of 1944 by Sam Wood and Walt Disney.

Actively supported his best friend Ronald Reagan's campaign to become the Republican Governor of California in 1966.

Following the success of Knights of the Round Table (1953) Taylor's movie career declined. He managed to remain at MGM until 1958, when he signed for his own television series, "The Detectives Starring Robert Taylor" (1959).

Four episodes of "The Robert Taylor Show" had been produced and a fifth was in line at the time of the sudden cancellation of the unaired series in the summer of 1963. Scripts had been written by Bruce Geller, Leonard Freeman, Tom Seller, and Lawrence Edward Watkin. NBC felt the new series was too controversial.

Supported Thomas E. Dewey in the 1944 and 1948 presidential elections, and Dwight D. Eisenhower in the 1952 and 1956 elections.

His second favorite movie was Camille (1936) and his favorite co-star was Greta Garbo.

He and Clark Gable were very good friends, and Taylor was one of the active pallbearers at Gable's funeral in November 1960.

In 1954, he was named most popular star abroad by the Hollywood Foreign Press Correspondents Association representing 500 million moviegoers worldwide.

He was the first American actor to appear in film made in England - A Yank at Oxford (1938).

He was ranked fourth in Box Office appeal in 1936, third in 1937 and sixth in 1938.

He left his signatures, footprints and handprints in the cement in the forecourt of Grauman's Chinesse Theater in Hollywood, together with Barbara Stanwyck, on June 11, 1941.

He inspired the fictional character called Diabolik (1968), an anti-hero featured in Italian comics. Diabolik was created by sisters Angela and Luciana Giussani in 1962, and his features was graphically inspired by Taylor: dark hair with a distinctive widow's peak, and striking blue eyes and eyebrows.

His flying interest emerged after the movie Flight Command (1940), when he bought a single-engine plane and took lessons for a pilot's license. After World War II, when he served in the U.S. Navy from 1943 to 1945 as a flight instructor and narrator of 17 trainings films, MGM bought him a twin-engine Beechcraft which he flew regularly until the early 1960s.

The twelve-mile section of U.S. Highway 136 between Beatrice and Filley was officially designated as the Robert Taylor Memorial Highway in 1994 (Source: Gage County Historical Society, Beatrice, Nebraska).

His lifelong hobbies included hunting, fishing, flying and writing letters. The last one became a life-long activity appreciated by many.

He was diagnosed with lung cancer in the spring of 1968, having been feeling increasingly breathless and tired for some time. He immediately underwent cobalt treatment, however he did not give up smoking until shortly before undergoing major surgery to remove his entire right lung on 8 October 1968.

He gave Elizabeth Taylor her first screen kiss in Conspirator (1949). After the first kiss scene was completed, she went to her dressing room, flopped in chair and said to her hairdresser: "I've just been kissed by Robert Taylor!".

In a feature in the May 21, 1961 Family Weekly magazine, Taylor stated he became a hunter during his more mature years after he met actor Gary Cooper at Sun Valley, Idaho in 1939. Occasional hunting companions of note were novelist Ernest Hemingway and actors Wallace Beery, Clark Gable, Robert Stack and John Wayne.

Robert Taylor was terribly keen on classical music, learning appreciated by among others Joan Crawford and Greta Garbo. He had a huge collection of first-class works. He was a music major from 1929 to 1931 playing the cello in Doane String Quartet, the trio "The Harmony Boys" and in Doane Symphony Orchestra in Nebraska. In California he used to have a gramophone with him that he would play every time he could on set filming and he never missed the concerts given each year at the Hollywood Bowl.

After their divorce, his ex-wife Barbara Stanwyck auctioned off their $100,000 home at 423 North Faring Road, in the Bel-Air section of Los Angeles, and all its furnishings, and collected 15 percent of Taylor's earnings until he died in 1969.

He starred in the first pro-Indian movie of the American cinema: Devil's Doorway (1950) first Anthony Mann's western, although Broken Arrow (1950) was released one month before. Devil's Doorway was completed first but held back from release due to the nervousness of MGM's studio brass over the subject matter.

After Taylor's battle with lung cancer was publicly disclosed in the autumn of 1968, he admitted in interviews that he had started smoking in his early teens, and had often smoked three packets of cigarettes a day as an adult.

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